Experienced Julia users and programmers fluent in other languages and graphics systems should have no problem using Luxor by referring to the rest of the documentation. For others, here is a short tutorial to help you get started.
If you've already downloaded Julia, and have added the Luxor package successfully (using
] add Luxor):
$ julia _ _ _ _(_)_ | Documentation: https://docs.julialang.org (_) | (_) (_) | _ _ _| |_ __ _ | Type "?" for help, "]?" for Pkg help. | | | | | | |/ _` | | | | |_| | | | (_| | | Version 1.0.0 (2018-08-08) _/ |\__'_|_|_|\__'_| | Official https://julialang.org/ release |__/ | (v1.0) pkg> add Luxor
then you're ready to start.
You can work in a Jupyter or Pluto notebook, or perhaps use the Atom/Juno or VSCode editor/development environment. It's also possible to work in a text editor (make sure you know how to run a file of Julia code), or, at a pinch, you could use the Julia REPL directly.
Ready? Let's begin. The goal of this tutorial is to do a bit of basic 'compass and ruler' Euclidean geometry, to introduce the basic concepts of Luxor drawings.
We'll have to load just one package for this tutorial:
Here's an easy shortcut for making drawings in Luxor. It's a Julia macro, and it's a good way to test that your system's working. Evaluate this code:
@png begin text("Hello world") circle(Point(0, 0), 200, :stroke) end
What happened? Can you see this image somewhere?
If you're using Juno, the image should appear in the Plots window. If you're working in a Jupyter notebook, the image should appear below the code. If you're using Julia in a terminal or text editor, the image should have opened up in some other application, or, at the very least, it should have been saved in your current working directory (as
luxor-drawing-(time stamp).png). If nothing happened, or if something bad happened, we've got some set-up or installation issues probably unrelated to Luxor...
Let's press on. The
@png macro is an easy way to make a drawing; all it does is save a bit of typing. (The macro expands to enclose your drawing commands with calls to the
preview() functions.) There are also
This example illustrates a few things about Luxor drawings:
There are default values which you don't have to set if you don't want to (file names, colors, font sizes, and so on).
Positions on the drawing are specified with x and y coordinates stored in the Point type, and you can sometimes omit positions altogether.
The text was placed at the origin point (0/0), and by default it's left aligned.
The circle wasn't filled, but
stroked. We passed the
:strokesymbol as an action to the
circle()function. Many drawing functions expect some action, such as
:stroke, and sometimes
Did the first drawing takes a few seconds to appear? The Cairo drawing engine takes a little time to warm up. Once it's running, drawings appear much faster.
Once more, with more black, and some rulers:
@png begin text("Hello again, world!", Point(0, 250)) circle(Point(0, 0), 200, :fill) rulers() end
The x-coordinates usually run from left to right, the y-coordinates from top to bottom. So here,
Point(0, 250) is a point at the left/right center, but at the bottom of the drawing.
For the main section of this tutorial, we'll attempt to draw Euclid's egg, which involves a bit of geometry.
For now, you can continue to store all the drawing instructions between the
end markers. Technically, however, working like this at the top-level in Julia (ie without storing instructions in functions which Julia can compile) isn't considered to be 'best practice', because the unit of compilation in Julia is the function. (Look up 'global scope' in the documentation.)
and first define the variable
radius to hold a value of 80 units (there are 72 units in a traditional inch):
Select gray dotted lines. To specify a color you can supply RGB (or HSB or LAB or LUV) values or use named colors, such as "red" or "green". "gray0" is black, and "gray100" is white. (For more information about colors, see Colors.jl.)
(You can use
setcolor() instead of
sethue() — the latter doesn't affect the current opacity setting.)
Next, make two points, A and B, which will lie either side of the origin point. This line uses an array comprehension - notice the square brackets enclosing a
A, B = [Point(x, 0) for x in [-radius, radius]]
x uses two values from the inner array, and a Point using each value is created and stored in its own variable. It seems hardly worth doing for two points, but it shows how you can assign more than one variable at the same time, and also how to generate points.
With two points defined, draw a line from A to B, and stroke it.
line(A, B, :stroke)
Draw a stroked circle too. The center of the circle is placed at the origin. You can use the letter O as a short cut for Origin, ie the
circle(O, radius, :stroke) end
It's a good idea to label points in geometrical constructions, and to draw small dots to indicate their location clearly. For the latter task, small filled circles will do. For labels, there's a special
label() function we can use, which positions a text string close to a point, using angles or points of the compass, so
:N places the label to the north of a point.
Edit your previous code by adding instructions to draw some labels and circles:
@png begin radius=80 setdash("dot") sethue("gray30") A, B = [Point(x, 0) for x in [-radius, radius]] line(A, B, :stroke) circle(Point(0, 0), radius, :stroke) # >>>> label("A", :NW, A) label("O", :N, O) label("B", :NE, B) circle.([A, O, B], 2, :fill) circle.([A, B], 2radius, :stroke) end
While we could have drawn all the circles as usual, we've taken the opportunity to introduce a powerful Julia feature called broadcasting. The dot (
.) just after the function name in the last two
circle() function calls tells Julia to apply the function to all the arguments. We supplied an array of three points, and filled circles were placed at each one. Then we supplied an array of two points and stroked circles were placed there. Notice that we didn't have to supply an array of radius values or an array of actions — in each case Julia did the necessary broadcasting (from scalar to vector) for us.
We're now ready to tackle the job of finding the coordinates of the two points where two circles intersect. There's a Luxor function called
intersectionlinecircle() that finds the point or points where a line intersects a circle. So we can find the two points where one of the circles crosses an imaginary vertical line drawn through O. Because of the symmetry, we'll only have to do circle A.
@png begin # as before radius=80 setdash("dot") sethue("gray30") A, B = [Point(x, 0) for x in [-radius, radius]] line(A, B, :stroke) circle(O, radius, :stroke) # use letter O for Point(0, 0) label("A", :NW, A) label("O", :N, O) label("B", :NE, B) circle.([A, O, B], 2, :fill) circle.([A, B], 2radius, :stroke)
intersectionlinecircle() takes four arguments: two points to define the line and a point/radius pair to define the circle. It returns the number of intersections (probably 0, 1, or 2), followed by the two points.
The line is specified with two points with an x value of 0 and y values of ± twice the radius, written in Julia's math-friendly style. The circle is centered at A and has a radius of AB (which is
2radius). Assuming that there are two intersections, we feed these to
label() for drawing and labeling using our new broadcasting superpowers.
# >>>> nints, C, D = intersectionlinecircle(Point(0, -2radius), Point(0, 2radius), A, 2radius) if nints == 2 circle.([C, D], 2, :fill) label.(["D", "C"], :N, [D, C]) end end
Now for the trickiest part of this construction: a small circle whose center point sits on top of the inner circle and that meets the two larger circles near the point D.
Finding this new center point C1 is easy enough, because we can again use
intersectionlinecircle() to find the point where the central circle crosses a line from O to D.
Add some more lines to your code:
@png begin # >>>> nints, C1, C2 = intersectionlinecircle(O, D, O, radius) if nints == 2 circle(C1, 3, :fill) label("C1", :N, C1) end end
The two other points that define this circle lie on the intersections of the large circles with imaginary lines through points A and B passing through the center point C1. We're looking for the lines
ip is somewhere on the circle between D and B, and
ip is somewhere between A and D.
To find (and draw) these points is straightforward. We'll mark these as intermediate for now, because there are in fact four intersection points but we want just the two nearest the top:
# >>>> nints, I3, I4 = intersectionlinecircle(A, C1, A, 2radius) nints, I1, I2 = intersectionlinecircle(B, C1, B, 2radius) circle.([I1, I2, I3, I4], 2, :fill)
So we can use the
distance() function to find the distance between two points, and it's simple enough to compare the values and choose the shortest.
# >>>> if distance(C1, I1) < distance(C1, I2) ip1 = I1 else ip1 = I2 end if distance(C1, I3) < distance(C1, I4) ip2 = I3 else ip2 = I4 end label("ip1", :N, ip1) label("ip2", :N, ip2) circle(C1, distance(C1, ip1), :stroke) end
We now know all the points on the egg's perimeter, and the centers of the circular arcs. To draw the outline, we'll use the
arc2r() function four times. This function takes: a center point and two points that together define a circular arc, plus an action.
The shape consists of four curves, so we'll use the
:path action. Instead of immediately drawing the shape, like the
:stroke actions do, this action adds a section to the current path.
label("ip1", :N, ip1) label("ip2", :N, ip2) circle(C1, distance(C1, ip1), :stroke) # >>>> setline(5) setdash("solid") arc2r(B, A, ip1, :path) # centered at B, from A to ip1 arc2r(C1, ip1, ip2, :path) arc2r(A, ip2, B, :path) arc2r(O, B, A, :path)
Finally, once we've added all four sections to the path we can stroke and fill it. If you want to use separate styles for the stroke and fill, you can use a
preserve version of the first action. This applies the action but keeps the path available for more actions.
strokepreserve() setopacity(0.8) sethue("ivory") fillpath() end
To be more generally useful, the above code can be boiled into a single function.
function egg(radius, action=:none) A, B = [Point(x, 0) for x in [-radius, radius]] nints, C, D = intersectionlinecircle(Point(0, -2radius), Point(0, 2radius), A, 2radius) flag, C1 = intersectionlinecircle(C, D, O, radius) nints, I3, I4 = intersectionlinecircle(A, C1, A, 2radius) nints, I1, I2 = intersectionlinecircle(B, C1, B, 2radius) if distance(C1, I1) < distance(C1, I2) ip1 = I1 else ip1 = I2 end if distance(C1, I3) < distance(C1, I4) ip2 = I3 else ip2 = I4 end newpath() arc2r(B, A, ip1, :path) arc2r(C1, ip1, ip2, :path) arc2r(A, ip2, B, :path) arc2r(O, B, A, :path) closepath() do_action(action) end
This keeps all the intermediate code and calculations safely hidden away, and it's now possible to draw a Euclidean egg by calling
egg(100, :stroke), for example, where
100 is the required width (radius), and
:stroke is the required action.
(Of course, there's no error checking. This should be added if the function is to be used for any serious applications...!)
Notice that this function doesn't define anything about what color it is, or where it's placed. When called, the function inherits the current drawing environment: scale, rotation, position of the origin, line thickness, color, style, and so on. This lets us write code like this:
@png begin setopacity(0.7) for θ in range(0, step=π/6, length=12) @layer begin rotate(θ) translate(0, -150) egg(50, :path) setline(10) randomhue() fillpreserve() randomhue() strokepath() end end end 800 800 "/tmp/eggstravaganza.png"
The loop runs 12 times, with
theta increasing from 0 upwards in steps of π/6. But before each egg is drawn, the entire drawing environment is rotated by
theta radians and then shifted along the y-axis away from the origin by -150 units (the y-axis values usually increase downwards, so, before any rotation takes place, a shift of -150 looks like an upwards shift). The
randomhue() function does what you expect, and the
egg() function is passed the
:fill action and the radius.
Notice that the four drawing instructions are encased in a
@layer begin...end shell. Any change made to the drawing environment inside this shell is discarded after the
end. This allows us to make temporary changes to the scale and rotation, etc. and discard them easily once the shapes have been drawn.
Rotations and angles are typically specified in radians. The positive x-axis (a line from the origin increasing in x) starts off heading due east from the origin, and the y-axis due south, and positive angles are clockwise (ie from the positive x-axis towards the positive y-axis). So the second egg in the previous example was drawn after the axes were rotated by π/6 radians clockwise.
If you look closely you can tell which egg was drawn first — it's overlapped on each side by subsequent eggs.
What would happen if the translation was
translate(0, 150)rather than
What would happen if the translation was
translate(150, 0)rather than
What would happen if you translated each egg before you rotated the drawing environment?
Some useful tools for investigating the important aspects of coordinates and transformations include:
rulers()to draw the current x and y axes
getrotation()to get the current rotation
getscale()to get the current scale
As well as stroke and fill actions, you can use the path as a clipping region (
:clip), or as the basis for more shape shifting.
egg() function creates a path and lets you apply an action to it. It's also possible to convert the path into a polygon (an array of points), which lets you do more things with it. The following code converts the egg's path into a polygon, and then moves every other point of the polygon halfway towards the centroid.
@png begin egg(160, :path) pgon = first(pathtopoly())
pathtopoly() function converts the current path made by
egg(160, :path) into a polygon. Those smooth curves have been approximated by a series of straight line segments. The
first() function is used because
pathtopoly() returns an array of one or more polygons (paths can consist of a series of loops), and we know that we need only the single path here.
pc = polycentroid(pgon) circle(pc, 5, :fill)
polycentroid() finds the centroid of the new polygon.
This loop steps through the points and moves every odd-numbered one halfway towards the centroid.
between() finds a point midway between two specified points. Finally the
poly() function draws the array of points.
for pt in 1:2:length(pgon) pgon[pt] = between(pc, pgon[pt], 0.5) end poly(pgon, :stroke) end
The uneven appearance of the interior points here looks to be a result of the default line join settings. Experiment with
setlinejoin("round") to see if this makes the geometry look tidier.
For a final experiment with our
egg() function, here's Luxor's
offsetpoly() function struggling to draw around the spiky egg-based polygon.
@png begin egg(80, :path) pgon = first(pathtopoly()) |> unique pc = polycentroid(pgon) for pt in 1:2:length(pgon) pgon[pt] = between(pc, pgon[pt], 0.8) end for i in 30:-3:-8 randomhue() op = offsetpoly(pgon, i) poly(op, :stroke, close=true) end end 800 800 "/tmp/spike-egg.png"
The small changes in the regularity of the points created by the path-to-polygon conversion and the varying number of samples it made are continually amplified in successive outlinings.
A useful feature of Luxor is that you can use shapes as a clipping mask. Graphics can be hidden when they stray outside the boundaries of the mask.
In this example, the egg (assuming you're still in the same Julia session in which you've defined the
egg() function) isn't drawn, but is defined to act as a clipping mask. Every graphic shape that you draw now is clipped where it crosses the mask. This is specified by the
:clip action which is passed to the
doaction() function at the end of the
Here, the graphics are provided by the
ngon() function, which draws regular
using Luxor, Colors @svg begin setopacity(0.5) eg(a) = egg(150, a) sethue("gold") eg(:fill) eg(:clip) @layer begin for i in 360:-4:1 sethue(Colors.HSV(i, 1.0, 0.8)) rotate(π/30) ngon(O, i, 5, 0, :stroke) end end clipreset() sethue("red") eg(:stroke) end
It's good practice to add a matching
clipreset() after the clipping has been completed. Unbalanced clipping can lead to unpredictable results.
Good luck with your explorations!